This album is our 100th Listening Earth release, and to celebrate this milestone, we're returning to one of our most evocative field recordings from the last 25 years.
In the small hours of the morning, a full moon illuminates a large waterhole at the entrance to Ormiston Gorge. The landscape all around is epic and ancient; massive quartzite rock walls are silhouetted above sandy banks lined with pale-barked gum trees.
This permanent waterhole is a haven for wildlife, and here we listen into the night. A gentle breeze occasionally whispers through the leaves of the old ghost gums, while crickets chirrup from small reedbeds.
Subtle sounds come from all around, but the mesmerising focus is a Pied Butcherbird. It roosts unseen in a tree opposite, singing gracefully. The song of the Pied Butcherbird is renowned as being among the most musical in the avian world. But now, in the depths of the night, this bird is singing slowly, serenely, languidly, as though half asleep. And in this place, surrounded by an amphitheatre of rock, its voice echoes - one of nature's most sublime songs in a natural cathedral.
While the Butcherbird is the nocturnal deva, there is a whole outback ecosystem to be heard. Desert Tree Frogs chorus from the far end of the waterhole, a White-sided Freetail Bat hawks for insects overhead, and a Barn Owl screeches while flying past in the dark. On the water, a pair of Grebes float silently, every now and then giving soft chattering calls.
The following evening we return to the same place to listen again, but this night our Butcherbird has roosted elsewhere, and its song echoes eerily from further up the gorge. Yet it is every bit as beautiful as previously. Meanwhile Rock Wallabies feed and move around the nearby rock slopes, occasionally dislodging stones or thumping noisily. Suddenly a pair of Black-fronted Dotterels take flight and begin a raspy calling on the wing as they circle back and forth over the water.
These recordings are the complete sequences, remastered from our original field tapes.